Research

 

JOURNAL ARTICLES

Kim, J. (2018). Korea’s blacklist scandal: Governmentality, culture, and creativity. Culture, Theory, and Critique, DOI: 10.1080/14735784.2018.1446837

Kim, J. (2016). Establishing an imagined SM Town: How Korea’s leading music company has produced a global cultural phenomenon. The Journal of Popular Culture, 49(5), 1042-1058.

Kim, J. (2016). Selling the past: Korea and China’s nation-branding to host Winter Olympic Games. China Media Research, 12(2), 23-29.

Kim, J. (2015). Reshaped, reconnected, and redefined: Media portrayals of Korean pop idol fandom. Journal of Fandom Studies, 3(1), 79-93.  

Kim, Ju Oak (2006). Changes in television history documentaries in an age of globalization: A case study of KBS’ special documentary series, “China” (세계화 시대 TV 역사 다큐멘터리 변화에 관한 연구: KBS스페셜, “도자기”를 중심으로). Korean journal of Program and Text, 15, 73-104.

CHAPTERS IN EDITED VOLUMES 

Jin, Dal Yong and Ju Oak Kim (Forthcoming). Korean Wave (Hallyu) Studies, In Kyo Ho Youm and Nojin Kwak (Eds.), Korean Communication, Media, and Culture: An Annotated Bibliography. Lexington Books.

Kim, Ju Oak (2018). Regionalizing Reality: The Rise of East Asian Collaborations in Television Production, In Michael Keane, Brian Yecies and Terry Flew (Eds.), Willing Collaborators: Refashioning Content for the Chinese Media Market. Rowman & Littlefield.

Kim, Ju Oak and Luling Huang (2017). The unscripted format trade in a new era of the Korean Wave: The Chinese remaking of Korean Reality TV, Dad! Where Are You Going? In Tae-Jin Yoon and Dal Yong Jin (Eds.), The Korean Wave: Retrospect and Prospect (pp. 209-224), Lexington Books.

Kim, Ju Oak and Iljoong Kim (2016). An art of remaking television dramas (반복과 변형의 미학, 리메이크). In Seok-Kyeong Hong-Mercier (ed.), All about Korean Television Dramas (pp. 171-199). Seoul: Culture Look.

Kim, Ju Oak (2014). Despite not being Johnny’s: The cultural impact of TVXQ in the Japanese music industry. In Choi, Jung-Bong and Roald Maliangkay (Eds.), K-pop: The international rise of the Korean music industry (pp. 66-80). New York: Routledge.

PUBLIC WRITING

Kim, Ju Oak (2018, February). Will Netflix funding original series succeed? Monthly Scriptwriter (월간 방송작가). Korean Television and Radio Writer Association. Retrieved from https://www.ktrwa.or.kr

Kim, Ju Oak (2014, July). The emergence of Korean pop fandom in the United States. Webzine Culture and Tourism (웹진 문화관광). Korea Tourism and Culture Institute. Retrieved from https://www.kcti.re.kr

CONFERENCE PRESENTATIONS

Kim, Ju Oak (2018). Let me out: East Asian celebrity culture in the era of social media. Accepted for presentation to the Crossroads in Cultural Studies Conference, Shanghai, China, August 12-15.

Kim, Ju Oak (2018). The Storyteller who crosses boundaries: New Journey to the West. Accepted for presentation to the Asian Transmedia Storytelling in the Age of Digital Media conference, Vancouver, Canada, June 8-9.

Kim, Ju Oak (2018). Korea’s creative migration: Mediating regionalism on Chinese Television, Accepted for presentation to the Global Communication and Social Change Division of the International Communication Association Conference, Prague, Czech Republic, Czech Republic, May 24-28.

Kim, Ju Oak (2018). The comeback of Korean pop in Japan: East Asia as the space of global cultural production, Accepted for presentation to the Global Communication and Social Change Division of the International Communication Association Conference, Prague, Czech Republic, May 24-28.

Kim, Ju Oak. (2018). Unexpected but predetermined: The US remake of Korean television formats. Accepted for presentation to the Media Industries Conference: Current Debates and Future Directions, King’s College of London, UK, April 18-20.

Kim, Ju Oak. (2017). Transnational television in East Asia, Invited for presentation to the Workshop for Convergence Culture in East Asia, Seoul National University’s Asia Center, Seoul, Korea, December 7-8.

Kim, Ju Oak. (2017). The future of the Korean wave and Korean wave scholarship. Invited for presentation to the Korean Wave Workshop, Yonsei University, Seoul, Korea, July 6.

Kim, Ju Oak. (2017). K-pop empire and public broadcasting: How Music Bank constructs global celebrity, transnational fan community, and East-Asian centered globalization, Accepted for presentation to the Global Communication and Social Change Division of the International Communication Association Conference, San Diego, May 25-29.

Kim, Ju Oak. (2017). Televising hybrid music culture: The intersection of Korean television and popular music, Accepted for presentation to the Media Industry Studies Interest Group of the International Communication Association Conference, San Diego, May 25-29.

Kim, Ju Oak (2016).  City Hall Square as a global public sphere in South Korea. Accepted for presentation to the Global Fusion 2016: Media and the Global City, Philadelphia, PA, October 21-23.

Kim, Ju Oak (2016). Rethinking the Korean wave: The political dimension of transnational media culture, Accepted for presentation to the Media Industry Studies Interest Group of the International Communication Association Conference, Fukuoka, Japan, June 9-13.

Kim, Ju Oak (2016). The shifting paradigm of Korean public television: From national propaganda to an East Asian hub, Accepted for presentation to the Global Communication and Social Change division of the International Communication Association Conference, Fukuoka, Japan, June 9-13.

Kim, Ju Oak (2016). Regionalizing reality: The rise of Korean-Chinese collaborations in television production. Accepted for presentation to the International Communication Association Pre-conference: Willing Collaborators: The Rise of China, and Changing Networks of Asian Media Production, Tokyo University of the Arts, Japan, June 8.

Kim, Ju Oak (2015). Local memory and global news: Narrating Ferguson shooting in light of the 1992 LA riots in Korean journalism. Accepted for presentation to the Global Fusion conference, College Station, Texas, October 23-25.

Kim, Ju Oak (2015). The meaning of aging in an era of globalization. Accepted for presentation to the Global Communication and Social Change division of the International Communication Association Annual Conference. San Juan, Puerto Rico. May 21-25.

Kim, Ju Oak (2014). Selling our pasts: Korea’s nation-branding strategies to host global sports events. Accepted for presentation to the Public Relations division of the National Communication Association. Chicago, Illinois. November 20-23.

Kim, Ju Oak and Luling Huang (2014). TV format trade and cultural proximity: A case study of the reality show, ‘Daddy, Where Are You Going?’ in Korea and Mainland China. Accepted for presentation to the Global Fusion Conference. Austin, Texas. October 24-26.

Kim, Ju Oak (2014). Coupling from the past: Sports journalism, collective memory, and globalization. Accepted for presentation to the Association for Education in Journalism and Mass Communication. Montréal, Canada. August 6-9.

Kim, Ju Oak (2014). How to remember the Sewol Ferry: From personal memory to cultural memory. Accepted for presentation to the Joint Seminar of Cultural Studies Divisions in the three National Associations for Media and Communications. Sogang University. Seoul, Korea. July 7.

Kim, Ju Oak (2014). Establishing an imagined ‘SM TOWN Nation’: The discourse on the Korean pop boom in cultural globalization.” Accepted for presentation to the Global Communication division of the International Communication Association Conference. Seattle, Washington. May 22-26.

Kim, Ju Oak (2014). Branding Korean pop: Cultural hybridity and the construction of Asian identity. Accepted for presentation to the Radio and Audio Media division of the Broadcast Education Association Conference. Las Vegas, Nevada. April 6-9, 2014.

Kim, Ju Oak (2013). How to sell a nation: Nationalism and globalism in the FIFA World Cup Bids. Accepted for presentation to the Global Fusion Conference. Carbondale, Illinois. October 4-6.

Kim, Ju Oak (2013). It’s more than a reality TV show: Fandom, public sphere, and cultural politics. Accepted for presentation to the Asian Popular Culture division of the Popular Culture Association Conference. Washington DC. March 27-30.

Kim, Ju Oak (2012). Cannes Olympics: The news coverage of the international film festival in Korea. Accepted for presentation to Global Fusion Conference, Athens, Ohio. October 26-28.  

Kim, Ju Oak (2012). The transformation of collective memory: From a Yanggongju to an American Dreamer.” Accepted for presentation to the Joint Meeting of the American Journalism Historians Association and the History Division of the Association for Education in Journalism and Mass Communication. New York City, New York, March 3.

Kim, Ju Oak (2011). How does K-pop go global? The process of cultural globalization. Accepted for presentation to the Global Fusion Conference, Philadelphia, Pennsylvania, October 14-16.

Kim, Ju Oak (2010). Around the world in 80 Minutes: SCT Students’ Global Projects. Accepted for presentation to the Global Temple Conference, Philadelphia, Pennsylvania, November 16.

Kim, Ju Oak (2010). Seminar on the documentary film in teaching and scholarship. Accepted for the panel discussion to the Cultural Studies Association Conference. Berkeley, California. March 18-20.

Kim, Ju Oak (2010). Why did Ninjas come from Korea? Accepted for presentation to the Cultural Studies Association Conference. Berkeley, California, March 18-20.

Kim, Ju Oak (2009). The wasted land ‘Little Pakistan’: Discursive change of American national identity after 9/11. Accepted for presentation to the Cultural Studies Association Conference. Kansas City, Missouri. April 16-18.

Kim, Ju Oak (2008). Aspects of media globalization in contemporary Korea. Accepted for presentation to the Cultural Studies Association Conference. New York City, New York. May 22-24.

Kim, Ju Oak (2006). A New Globalization Strategy of Korean TV Programs Asian Values. Accepted for presentation to the Asian Culture Forum. Kwangju, Korea. October 26-29.

AWARDS AND FELLOWSHIPS

Asia-related Research Grant, Seoul National University’s Asia Center, Media Convergence in East Asia, $60,000 (Co-Investigator), 2017-2019.

Faculty Fellowship, National Association of Television Program Executives (NATPE) Conference, January 2017.

Graduate School Senior Doctoral Fellowship, Temple University, Spring 2016.

Top Student Paper Award, Global Communication and Social Change Division, International Communication Association, 2014.

 

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